In a City of Millions, There is a Lot of Beauty – New York
18×24 Oil on Canvas w/Floater Frame
2016-12 – 2017-01
My first day by myself, walking through Central Park and I thought I should sit on a bench and soak in the autumn air and colours. I glanced over to my left to see this couple walking on the path in from of me. The young girl was quietly walking beside the older woman and they were joined by the teddy bear between them. They passed by and I was smiling at this image when I thought I needed to share this amazing image that is happening within the hustle and bustle of New York. I pulled out my phone and snapped two or three photos of them while the sun sparkled through the yellow leaves of the trees.
This painting has been sold but I do have museum quality, archival prints and products available for purchase via Fine Art America.
Complete
detail d
detail c
detail b
detail a
framed - right
framed
framed - left
Over the past few years, I started to time lapse film myself painting, the original Youtube video of me creating this painting can be found here: https://youtu.be/rOzjijYRmC4
Sunshine On A Rainy Day In New York
24×36 Oil on Canvas
2016-11
I took this photo on one of my experiences of rain after moving to the Upper East Side in New York. I had brought my trusty Sony A6000 with a 16-70mm Zeiss lens on it just waiting for a moment to capture and remember my walk outside while it really poured down. The gutters were swooshing with immense amounts of water and the drains couldn’t keep up. My shoes were potentially more wet inside than out but these daisies reached out and grabbed me through a wrought iron fence. I paused and took a close up photo of one of the daisies, peered up from that photo to see that I had a curious man stop to see what I was doing. I then took a photo of the scene with him included in the background bokeh.
A moment I will never forget had to be painted.
I am using 1.75in high quality gallery stretched canvas with a floating frame via Gotrick
Interesting in purchasing the original or a print? Fine Art America
A university series that began as life-sized figurative paintings that morphed into contorted, figurative paintings that were painted on contorted fabrics. I would spend a day each week searching for patterned and plain fabrics of different textures and weights at the local fabric store. The rest of the week I would spend sketching, researching, and painting figures onto the found fabrics. Usually I would staple the fabric up on drywall, fold it, staple it, or sew it in a variety of ways around the rough sketch of a figure. This is a style I wish to get back to one day.
A university series that began as life-sized figurative paintings that morphed into contorted, figurative paintings that were painted on contorted fabrics. I would spend a day each week searching for patterned and plain fabrics of different textures and weights at the local fabric store. The rest of the week I would spend sketching, researching, and painting figures onto the found fabrics. Usually I would staple the fabric up on drywall, fold it, staple it, or sew it in a variety of ways around the rough sketch of a figure. This is a style I wish to get back to one day.
Pinched and Crushed
50in x 41in
Acrylic on Sewn Fabric
1999
A university series that began as life-sized figurative paintings that morphed into contorted, figurative paintings that were painted on contorted fabrics. I would spend a day each week searching for patterned and plain fabrics of different textures and weights at the local fabric store. The rest of the week I would spend sketching, researching, and painting figures onto the found fabrics. Usually I would staple the fabric up on drywall, fold it, staple it, or sew it in a variety of ways around the rough sketch of a figure. This is a style I wish to get back to one day.
