2016-11 – Central Park in Autumn – New York
Central Park in Autumn – New York
2016-11
My first week in New York walking along the sidewalk of Central Park. Loving the autumn colours.

My first week in New York walking along the sidewalk of Central Park. Loving the autumn colours.

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Print and Product Pricing is CDN
This is the sixth in the red fox series, attempting to work in a different styles as I progress, some may be similar to what I have completed in my pet portrait paintings and other commissions section. I thought I would love to paint a series of foxes because they are interesting, solitary creatures that seem to have similar personalities with cats (just like me). My love for foxes was influenced decades ago by the Disney movie, The Fox and The Hound, and through a couple life experiences while growing up in Northern British Columbia, Canada.
I also began to record my painting progress and creating a time lapse of the videos. Original Youtube video can be found here: https://youtu.be/nakI2pWyE2k
FINE ART PRINTS AND PRODUCTS STARTING AT $29CDN ARE AVAILABLE VIA:
https://www.camerondixon.com/purchase
Print and Product Pricing is CDN
This is the fifth in the red fox series, attempting to work in a different styles as I progress, some may be similar to what I have completed in my pet portrait paintings and other commissions section. I thought I would love to paint a series of foxes because they are interesting, solitary creatures that seem to have similar personalities with cats (just like me). My love for foxes was influenced decades ago by the Disney movie, The Fox and The Hound, and through a couple life experiences while growing up in Northern British Columbia, Canada.
I also began to record my painting progress and creating a time lapse of the videos. Original Youtube video can be found here:
We walk our dogs off leash at night in the center of Central Park. The view of downtown is amazing most nights, I had to share. Taken with my Sony A6000 with 16-70mm lens.

FINE ART PRINTS AND PRODUCTS STARTING AT $29CDN ARE AVAILABLE VIA:
https://www.camerondixon.com/purchase
Print and Product Pricing is CDN
This is the fourth in the red fox series, attempting to work in a different style that I have when I have completed pet portrait paintings and other commissions. I thought I would love to paint a series of foxes because they are interesting, solitary creatures that seem to have similar personalities with cats (just like me). My love for foxes was influenced decades ago by the Disney movie, The Fox and The Hound, and through a couple life experiences while growing up in Northern British Columbia, Canada.
The Surreptitious Stalker - complete full no frame right
The Surreptitious Stalker - complete front - no frame
The Surreptitious Stalker - complete full no frame left
The Surreptitious Stalker - complete full and framed right
The Surreptitious Stalker - complete full and framed
The Surreptitious Stalker - complete full and framed left
I also began to record my painting progress and creating a time lapse of the videos. Original Youtube video can be found here: https://youtu.be/b4d8cWZcjbc
FINE ART PRINTS AND PRODUCTS STARTING AT $29CDN ARE AVAILABLE VIA:
https://www.camerondixon.com/purchase
Print and Product Pricing is CDN
This is the third in the red fox series, attempting to work in a different style that I have when I have completed pet portrait paintings and other commissions. I thought I would love to paint a series of foxes because they are interesting, solitary creatures that seem to have similar personalities with cats (just like me). My love for foxes was influenced decades ago by the Disney movie, The Fox and The Hound, and through a couple life experiences while growing up in Northern British Columbia, Canada. I was drawn to the movement and flow of a fox when it would pounce to catch its prey. The capture of a fox in midair shows the concentration it has when hunting.
I also began to record my painting progress and creating a time lapse of the videos. Original Youtube video can be found here: https://youtu.be/rq2–8J2o_8
I took this photo on one of my experiences of rain after moving to the Upper East Side in New York. I had brought my trusty Sony A6000 with a 16-70mm Zeiss lens on it just waiting for a moment to capture and remember my walk outside while it really poured down. The gutters were swooshing with immense amounts of water and the drains couldn’t keep up. My shoes were potentially more wet inside than out but these daisies reached out and grabbed me through a wrought iron fence. I paused and took a close up photo of one of the daisies, peered up from that photo to see that I had a curious man stop to see what I was doing. I then took a photo of the scene with him included in the background bokeh.
A moment I will never forget had to be painted.
I am using 1.75in high quality gallery stretched canvas with a floating frame via Gotrick
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Here is a recording of my painting. Original Youtube video can be found here: https://www.youtube.com/watch?v=Zo0yifWUeRc
A university series that began as life-sized figurative paintings that morphed into contorted, figurative paintings that were painted on contorted fabrics. I would spend a day each week searching for patterned and plain fabrics of different textures and weights at the local fabric store. The rest of the week I would spend sketching, researching, and painting figures onto the found fabrics. Usually I would staple the fabric up on drywall, fold it, staple it, or sew it in a variety of ways around the rough sketch of a figure. This is a style I wish to get back to one day.

Loom
A university series that began as life-sized figurative paintings that morphed into contorted, figurative paintings that were painted on contorted fabrics. I would spend a day each week searching for patterned and plain fabrics of different textures and weights at the local fabric store. The rest of the week I would spend sketching, researching, and painting figures onto the found fabrics. Usually I would staple the fabric up on drywall, fold it, staple it, or sew it in a variety of ways around the rough sketch of a figure. This is a style I wish to get back to one day.

1999 – Pinched and Crushed