Dakota - Original image
Dakota - Complete
Abbey and Sophie were a pair that have lived together for all of their life but they refuse to sit together for a photo session. This painting was from to separate images of Abbey and Sophie that were spliced together using Photoshop prior to painting. They photos were taken on a nice spring morning in their back yard.
I am using 1.75in high quality 11in x 14in gallery stretched canvas with a floating frame via Gotrick
Watch me paint these two from start to finish via time lapse. Original Youtube video can be found here: https://youtu.be/5x5sT5ENthg
I am using 1.75in high quality gallery stretched canvas with a floating frame via Gotrick
2015-01 - Commissioned Painting by Cameron Dixon - Chiquitou-original
2015-01 - Commissioned Painting by Cameron Dixon - Chiquitou
Original Youtube video can be found here: https://youtu.be/3GTl59ON8Iw
A university series that began as life-sized figurative paintings that morphed into contorted, figurative paintings that were painted on contorted fabrics. I would spend a day each week searching for patterned and plain fabrics of different textures and weights at the local fabric store. The rest of the week I would spend sketching, researching, and painting figures onto the found fabrics. Usually I would staple the fabric up on drywall, fold it, staple it, or sew it in a variety of ways around the rough sketch of a figure. This is a style I wish to get back to one day.
Loom
A university series that began as life-sized figurative paintings that morphed into contorted, figurative paintings that were painted on contorted fabrics. I would spend a day each week searching for patterned and plain fabrics of different textures and weights at the local fabric store. The rest of the week I would spend sketching, researching, and painting figures onto the found fabrics. Usually I would staple the fabric up on drywall, fold it, staple it, or sew it in a variety of ways around the rough sketch of a figure. This is a style I wish to get back to one day.
Held by Cameron Dixon
A university series that began as life-sized figurative paintings that morphed into contorted, figurative paintings that were painted on contorted fabrics. I would spend a day each week searching for patterned and plain fabrics of different textures and weights at the local fabric store. The rest of the week I would spend sketching, researching, and painting figures onto the found fabrics. Usually I would staple the fabric up on drywall, fold it, staple it, or sew it in a variety of ways around the rough sketch of a figure. This is a style I wish to get back to one day.
1999 – Pinched and Crushed